Why Originality Is Overrated in New Music
When considering the importance of originality in new music, it's essential to recognize that the concept is often oversimplified and subjective. The notion of originality in music is not a clear-cut issue; rather, it is a complex element that varies greatly depending on the listener's tastes and cultural context.
Subjectivity of Originality
The term 'original,' when used in the context of music, is heavily laden with subjectivity. While there is a legal definition of originality that pertains to copyright law and plagiarism cases, the musical world often uses this term to describe the unique qualities that a particular listener or critic finds in a piece of music. These qualities are not uniformly appreciated or valued, making the assessment of originality highly personal.
For instance, a piece of music can be described as 'original' in someone's view because it: employs a novel musical structure or arrangement introduces new melodies or chord progressions mixes genres in unconventional ways However, these elements may not be universally admired, and what one listener finds original and appealing, another might not.
Importance of Legal Originality
It is important for music to be original in a legal sense, primarily to avoid legal disputes and copyright infringement. The focus on legal originality ensures that musicians and creators can protect their work and profits. However, beyond this baseline requirement, the necessity of musical originality for commercial success is debatable.
Many musicians and critics advocate for a focus on artistic originality, but there is no evidence to suggest that this is a necessary condition for commercial success. In fact, some argue that too much innovation can be a hindrance. Innovative and original music may not resonate with a broad audience due to its unfamiliarity and complexity.
Familiarity and Commercial Success
While originality has its place in the world of music, familiarity plays a crucial role in commercial success. Most listeners are more likely to appreciate and enjoy music that is familiar and within their comfort zone. This is not to say that innovation or novelty in music is without value or appeal. Many artists achieve commercial success precisely because their music is different and exciting, but the novelty becomes a selling point, not a defining characteristic of their appeal.
The importance of familiarity extends beyond just the melody and lyrics. It encompasses a range of factors, including: Emotional connection: Songs that evoke specific emotions or memories often resonate more with listeners. Cultural context: Music that aligns with current cultural trends and values tends to be more popular. Song structure: Simple and straightforward song structures are easier for listeners to understand and remember, making it easier for them to engage with the music.
Conclusion
The assessment of originality in new music is subjective, complex, and not always crucial for commercial success. While legal originality is a necessity to protect creators' rights, artistic originality is neither a guarantee nor a hindrance to success. What is most important is that a piece of music is well-crafted, relatable, and enjoyable to its audience. Ultimately, the listener's preferences and experiences should guide the evaluation of originality in music rather than imposing a one-size-fits-all definition.