Unveiling the Mystery of Pre and Post 1964 Gibson Guitars
Gibson guitars have been a cornerstone in the world of premium guitars since the 1930s. However, for many guitar enthusiasts, the debate about the quality and value of pre-1964 and post-1964 Gibson guitars remains a persistent topic. This article delves into the reasons behind this perception, focusing on the changes during the Ted McCarty era and the impact of these changes on Gibson guitars.
The End of the McCarty Era
The transition between pre-1964 and post-1964 Gibson guitars is deeply connected to the end of the highly productive period known as the Ted McCarty Era. Ted McCarty, who was a key figure in the design and manufacturing of Gibson guitars, played a pivotal role in shaping these iconic instruments from the mid-1950s through the mid-1960s. The McCarty era, ending around 1966, marked a significant shift in both the design and manufacturing processes of Gibson guitars.
From Animal to Synthetic Glues
A common factor in the perceived difference between pre and post-1964 Gibson guitars is the change in the types of glues used. Older models, particularly those from the 1950s, utilized hide glue, while post-1964 models began to use synthetic glues in the construction of some components, such as the neck tenons. Hide glue, known for its flexibility, was favored by many Guitarists and craftsmen, as it allowed for more precise application and better sound quality.
Changes in Manufacturing
During the late 1950s and early 1960s, Gibson underwent significant changes in its manufacturing procedures and material use. For instance, the Les Paul Standard “bursts” (the iconic sunburst finish on Gibson’s Les Paul guitars) ceased production in 1960, with a few manufactured in 1964 or earlier. Additionally, sandwiched body guitars, another notable design introduced in the 1960s, showcased differences in construction and aesthetics.
The Legal and Economic Shift
A significant factor influencing the quality and hence the value of pre-1964 Gibson guitars is the legal and economic situation of the time. In 1964, the use of Brazilian rosewood, which was highly sought for its tonal quality and appearance, became restricted. It was then illegal to import or harvest Brazilian rosewood, leading guitar manufacturers to switch to Indian rosewood or other less suitable alternatives. This change, while ensuring compliance with environmental laws, did impact the overall quality and authenticity of the guitars produced after 1964.
The Legacy of Pre-1964 Guitars
For many Guitar collectors and enthusiasts, the allure of pre-1964 Gibson guitars lies in the precision of their construction, the quality of the woods used, and the subtle differences in tone and playability. These guitars are often seen as representing the pinnacle of Gibson’s craftsmanship during the McCarty era. Even models from pre-1962 are particularly prized, with valuable resources being dedicated to maintaining and preserving these instruments.
Fujimoto and Winchester: Coincidence or Correlation?
A fascinating coincidence is that both Gibson and Winchester were undergoing significant manufacturing changes in 1964. While Winchester was changing its manufacturing procedures and materials for the production of its 30:30 caliber Model 94 rifle, Gibson was making its own changes to guitar production. This period marked the end of the innovative designs and improvements initiated by Ted McCarty and the beginning of more economical and mass-produced models.
Mass Production and Commercial Challenges
By 1969, Gibson faced a significant challenge with the skyrocketing sales of guitars, leading to changes in manufacturing processes. One notable change was the implementation of a narrower nut width from 1 11/16th to 1 9/16th. While this change was designed to make the guitars more commercially viable, it also introduced a decline in the quality of some features, such as the flattops that were no longer furnished with the renowned tuneomatic bridges, which were perceived as superior in sound and playability.
Conclusion
The debate over pre and post-1964 Gibson guitars is rooted in both objective changes in manufacturing and subjective perceptions of quality and value. The McCarty era, marking the end of 1964 with significant changes, left a lasting impact on the design and construction of Gibson guitars. Understanding these changes helps provide context for the perceived difference in the quality of these iconic instruments.