Understanding Rubank's Method Books for Transposing Instruments

One common question regarding Rubank's method books is whether they are written in concert pitch. In this article, we will explore the interior details of these method books and clarify any misconceptions.

Do Rubank's Method Books Write in Concert Pitch?

No, Rubank's method books are not written in concert pitch.

Each book is specifically written for each instrument, and they are written in the transposition for each instrument. For example, for instruments like the Bb clarinet, if the music is in concert Bb major, the written music will be in C major but will be corrected for the transposition of the instrument. This means that you do not have to think about the transposition while reading, as it is already accounted for in the written notation.

Playing with Non-Transposing Instruments

However, if you are playing with non-transposing instruments, you do need to think about the transposition. For instance, if you are part of a solo with a different instrument, you must remember that you need to play a whole step higher than the written key. For example, in Eb major, a Bb clarinet player should think of it as playing in F major.

Application of Rubank Books

It is important to understand that Rubank's method books are not meant for class instruction. They are designed to enhance the skills on your specific instrument. For example, a trumpet book is written in Bb transposition, meaning it is written a major second above its concert pitch. The key signatures are also transposed accordingly. Similarly, all saxophone books in the Rubank series are written for their respective instruments, ensuring detailed instruction specific to each transposing instrument.

Consistency and Ease of Use

Rubank's method books are consistent in their approach, ensuring that each book is tailored to its specific instrument. This approach makes them extremely valuable for musicians who want to improve their skills on a transposing instrument without the need for multiple books. Class instruction books may offer a broader perspective, but they often lack the depth and specificity provided by the Rubank series.

Clarity and Purpose

There is no clear information suggesting that these books are written in anything other than concert pitch or transposition for their respective instruments. They are designed to be used in a way that makes playing transposing instruments as natural and intuitive as possible.

Conclusion

Rubank's method books are invaluable resources for musicians dedicated to transposing instruments. They are not written in concert pitch but are specifically written in the transposition for each instrument. Understanding this can significantly enhance your practice and performance. If you are a serious musician looking to improve your skills on a transposing instrument, these books are a must-have.