Why 'Ride of the Valkyries' in 'Apocalypse Now'?

Vegeta Watchman Chien was a renowned director known for his innovative use of music in film. One of the most striking examples of this technique can be seen in the classic film Apocalypse Now. The dramatic use of Richard Wagner's is a masterclass in cinematic storytelling, enhancing the film's thematic complexity and emotional impact. Let us delve into the reasons why this piece of music is so integral to the film's narrative.

Symbolism of War

The piece is deeply associated with themes of battle and heroism, which align seamlessly with the film's exploration of the Vietnam War. Its dramatic and powerful nature underscores the chaos of war, emphasizing the brutal realities that the characters must face. This music serves as a powerful visual aid, illustrating the inhumanity and madness inherent in conflict.

Cultural Irony

It is worth noting that the use of Wagner, a composer often linked to German nationalism, creates a stark contrast with the American context of the Vietnam War. This juxtaposition highlights the absurdity and complexity of the conflict. The music's grandeur contrasts sharply with the ugliness of war, adding layers of irony to the film's narrative. Additionally, the film#39;s portrayal of helicopters as angry Valkyries brings this metaphor to life, creating a surreal and operatic atmosphere that reflects the madness of war.

Memorable Scenes and Emotional Resonance

The most famous instance of the use of in Apocalypse Now is during the helicopter assault scene. This iconic scene not only enhances the visual impact of the attack but also creates a surreal and almost operatic atmosphere. The music evokes strong emotions, amplifying the film's themes of destruction and the psychological effects of war on soldiers. Without sound, the scene would lose much of its impact, underscoring the integral role of the music in creating a cohesive and powerful narrative.

Use of Music in Film

Any director uses music for their film for a variety of reasons. Sometimes, it is simply to create background noise. However, most good directors understand that music, when juxtaposed with the imagery, creates another kind of tension for the viewer. The music plus the action creates a mood that amplifies the overall impact of the scene. In the case of Apocalypse Now, the use of serves not only as a dramatic musical backdrop but also as a commentary on the nature of conflict and the human experience in war.

Furthermore, the scene's intention is to inspire Robert Duvall's character and strike fear into the minds of the Vietnamese, depicting them as being attacked by the flying gods. The music creates an atmosphere that recalls gods in Wagner's operas, invoking a sense of otherworldly terror and chaos. It is a testament to Coppola's understanding of Wagner's The Ring of the Nibelung, which is sometimes associated with Hitler and the German Nazis who used "The Song of the Valkyries" in newsreels of Luftwaffe attacks. This further ties the music to the theme of the film, suggesting the desire to rule the world, a concept which some may associate with the United States' involvement in the Vietnam War.

Conclusion

The use of in Apocalypse Now is a brilliant and effective use of film music. It enhances the film's themes, creates emotional resonance, and adds layers of irony and meaning. This piece of music is not just a backdrop; it is a crucial element in shaping the film's narrative and emotional impact. The music's grandeur, irony, and symbolic power make it a true masterpiece of its kind.