The Subjectivity of Ranking 20th Century Classical Pianists
Is it possible to definitively rank the top 10 classical pianists of the 20th century? The answer, much like in the quiz show 'Ask The Genius,' is likely more complex than a simple yes or no.
Lists of top ten pianists often ignore the subjectivity and variability of personal tastes and preferences. Just as one might enjoy different songs or albums from a genre, opinions on the greatest classical pianists are deeply personal and subjective. Horowitz, Rachmaninoff, Hoffman, Richter, Rubenstein, Michelangeli, Cziffra, Gilels, Argerich, and Lipatti are indeed famous and influential pianists, but these rankings can be as fluid as the music they charm us with.
What Does 'Top' Mean?
When we talk about 'top' pianists, we must first consider the criteria upon which we are basing our judgment. For many, the 'top' pianists are those who achieve fame and success, which is not necessarily an indicator of artistic greatness or innovation. Playing a copy of a masterpiece, no matter how accurately, does not make a pianist a true artist. True artistic genius is marked by the ability to create and innovate, to play one's own masterpieces.
While Horowitz, Rachmaninoff, and others are indeed highly acclaimed and widely recognized, they are also part of a larger, albeit elite, group of musicians who represent the musical culture of their time. The true geniuses, however, are those who create their own music and thinkers, often unknown to the masses, who elevate the concert hall with their original talent and vision.
Other Notable Pianists of the 20th Century
A more comprehensive discussion might include Rudolf Serkin and Leon Fleischer, pianists active in the 20th century who contribute to our understanding of classical piano performance. It would also be remiss not to mention Pianists such as Evgeny Pogorelich, Krystian Zimerman, Radu Lupu, and many others. Each of these artists, and countless others, possess a unique ability and style that resonates with different audiences and for different reasons.
Personal Affinity and Musical Interpretation
Interpretation is a fundamental part of classical music. Different pianists have a deep affinity with specific composers, bringing their own unique insights and interpretations to the music. For instance, Rubinstein was a master interpreter of Chopin, while Kempf excelled in Beethoven; Ingrid Haebler was a poignant interpreter of Mozart; Angela Hewitt was a master of Bach; and Nikolayeva was a standout in Shostakovich and two-piano repertoire. Similarly, the dynamic duo of the LaBeque sisters was a marvel in their own right, each bringing a distinct yet complementary perspective.
Such affinity and interpretation elevate a performance from mere technical proficiency to an artistic expression. It is this personal touch that often determines the lasting impact and audience appreciation of a performance.
Indispensable Pianists and Their Influence
Ranking pianists of the 20th century is akin to ranking the best wines. There are always other equally important and valuable performers who deserve recognition and respect. Richter, for example, cannot be considered without acknowledging Lazar Berman, while Gina Bachauer is inseparable from Alfred Cortot. Other significant figures include Josef Lhevinne, Wilhelm Kempff, and Martha Argerich, among many others. These pianists are not just entities; they are a part of a web of talent that forms the rich tapestry of classical music in the 20th century.
Each of these pianists has a rightful place in the pantheon of great performers. They have their own contemporaries, each with their own unique voice. Without one, the other might be diminished. Their careers are interconnected, influencing each other and contributing to the evolution of classical piano performance.
Conclusion
In conclusion, while it is tempting to rank classical pianists based on a simple list, the reality is far more nuanced. Personal preferences and individual interpretations weigh heavily in this discussion. The top pianists are not just those who are famous and successful, but those who can create and innovate, those who can play their own masterpieces.
As the music lovers say, 'there’s always room for more,' and the world of classical piano is a testament to this truth. It is a vast and diverse landscape, rich with talent and potential, where each performer leaves their mark in their unique and special way.