The Subjectivity of Music Critique: A Deep Dive
Music criticism is inherently subjective, a concept that resonates deeply with both seasoned critics and casual listeners. This subjectivity extends not only to the evaluation of individual pieces but also to the broader definitions and historical trajectories of musical genres. One need look no further than the diverse interpretations of what constitutes rock and roll, a genre that encapsulates varying styles and nuances from Chuck Berry to the Clash, from the Grateful Dead to Judas Priest.
Subjectivity, in the realm of music critique, is also intrinsically linked to hindsight. When the first Ramones album dropped in 1976, it marked the beginning of a new era in rock music. At the time, it's unlikely that anyone could have envisioned the impact of these quick, two-minute songs with their simplest of chords. This rapid development, in just two and a half decades, mirrors the transformations that occurred in other artistic mediums, such as painting. Even before Impressionism and Post-Impressionism, which unfolded over approximately 400-500 years, the evolution of rock and roll was remarkably swift and expansive.
The Evolution of Continuous Good Melodies
Much of the music that people appreciate today adheres to a formulaic structure: good melodies with snappy beats. As one critic famously put it, this formula serves as "one of the best substitutes for intelligence known to humankind." If you possess this gift, you can navigate through the challenges of being banal or dumb by infusing your work with spirit or originality. In essence, this set formula can turn simple songs into memorable hits, provided they resonate with listeners.
The simplicity of judgments in pop music's early years can be attributed to the three-minute format that this genre was designed to follow. However, as the development of the LP (long-play record) brought complexity and subjectivity to the forefront, the landscape of music critique evolved. The LP allowed for longer, more intricate compositions, making judgments and categorizations more nuanced.
The Impact of Form and Medium
Through the lens of form and medium, we can better appreciate the subjectivity in music critique. The three-minute format of pop/rock allowed for a more straightforward consumption of music, making it a quick hit or immediate remover. Yet, as the LP evolved, it exposed more layers of complexity and texture. This change not only complicated the process of critique but also broadened the scope of what could be discussed and analyzed.
The process of evaluating music has come to reflect the broader dynamics of cultural consumption and artistic expression. The shift from three-minute hits to more intricate and layered compositions has highlighted the importance of context in understanding and interpreting music.
Conclusion
In summary, music critique is a subject filled with subjectivity, influenced by historical context, cultural consumption habits, and the evolution of musical formats. From Chuck Berry to the Clash, and from the Grateful Dead to Judas Priest, the subjectivity of music critique sheds light on the enduring nature of human perception and the ever-evolving landscape of musical genres.
As we continue to explore the subjectivity of music critique, it is essential to remember that each piece of music brings a unique perspective to the table, influenced by personal experiences, cultural backgrounds, and historical moments. The continuous evolution of musical forms and mediums only adds to the richness and complexity of this subjective art form.