The Reasons Behind Drummers Crossing Their Arms

When it comes to drumming, the layout of the drum kit is a key factor that influences how drummers position their hands and feet. Many drummers often observe others crossing their arms while playing, which can appear complex and intriguing. However, this technique is primarily dictated by the constraints of the kit's ergonomics and the required hand movements. This article explores the reasons and mechanics behind why drummers cross their arms, as well as the evolution of drumming techniques over the years.

Understanding Ergonomics in Drum Kit Layout

Drummers have two hands and two feet to control a range of instruments, each requiring different movements. The traditional layout of a drum kit offers a specific advantage. Typically, the right foot controls the bass drum, while the left foot manages the hi-hat pedal. Given this setup, the hi-hat (HH) is struck with the right hand's drumstick, leaving the left hand free to hit the snare drum (SD).

The right hand must cross over the left hand to reach the hi-hat, which is situated on the left side of the drummer. This setup is designed to provide the most efficient and ergonomic way to play the kit. Right-handed drummers hit the hi-hat with their right hand due to the foot positioning, which is also a common preference for right-handed individuals to use their dominant hand for intricate tasks.

Advanced Drumming Techniques and Coordination

Not all drummers stick to the traditional layout. Some highly skilled drummers can adapt and play the hi-hat with their left hand and the snare with their right hand, an approach known as playing open-handed. This technique requires substantial hand independence and practice, but it can be extremely effective for certain passages and solos.

Over the past two decades, drumming techniques have evolved, and modern drummers are increasingly using complex crossover techniques that were once considered advanced. For example, some drummers might need to strike the hi-hat with their left hand while performing a fall-down the toms, a technique that requires the left hand to cross over the right to reach the hi-hat.

Contemporary Developments in Drumming Ergonomics

One interesting development is the kits designed with hi-hats that can be controlled by a pedal on the right side, eliminating the need for the left hand to cross over. However, despite their innovative design, these kits have not gained widespread adoption, possibly due to the established ergonomics of the traditional setup and the ease of use for drummers.

To date, the popularity of using both feet to control the hi-hat pedal has increased, particularly in styles that require a more complex and dynamic rhythm. This includes popular techniques like foot soloing, where the right foot plays a rhythmic pattern on the hi-hat pedal, complementing the snare and bass patterns.

Cross-Over Techniques in Marching Arts

The marching arts, which have a strong tradition in American high school bands, also showcase a variety of cross-over techniques. In these ensembles, drummers often play multi-tenor drums, requiring complex and rapid hand movements. A notable example is from the Blue Devils drumline at 31:17 in a video performance, where the cross-over techniques are particularly evident in the tenor drum section.

While the snare-centric performance in the video presents a good example of cross-over techniques, the video also highlights the intricate coordination required when playing multiple drums. The quick switch between hi-hat and tenor drums necessitates advanced hand cross-over techniques, allowing for the musician to hit each drum with precision and speed.

Conclusion

Drummers crossing their arms is a necessity dictated by the ergonomics of their drum kit and the patterns required to play specific passages. While the traditional layout has its benefits, modern drumming techniques and developments in kit design offer alternatives that cater to specific needs. In the end, the choice of which hand to use depends on the drummer's skills, the complexity of the music, and the desired performance style.