The Dynamic Relationship Between The Rolling Stones and The Who from the 60s to the 70s
During the 1960s and 1970s, many bands based in London would often coincide in various stages, and while they might be considered 'mates' in the industry, the relationships between bands were often fleeting. Their engagements during downtime were often limited due to the demanding schedules of writing, recording, promoting, and touring. Musicians from that era often found themselves becoming as transient as ships passing in the night.
Proximity and Sporadic Friendship
Among the many bands in the London scene, the Rolling Stones and The Who had a relationship that was both friendly and sporadic. Both bands were known for their prowess on stage, and they would occasionally find themselves on the same bills. This proximity spurred mixtures of camaraderie and rivalry, as both bands always sought to push the boundaries and dominate the music scene. While the relationship was predominantly amicable, they often had their disagreements, making their interactions ever-so-interesting.
An example of their amicable relationship is demonstrated when The Who's Pete Townshend inducted the Rolling Stones into the Rock and Roll Hall of Fame in 1985, teasing them in the process. Mick Jagger took the jest in good humor, showcasing the easy rapport they shared. This moment, captured by history, is a testament to their mutual respect and shared love for rock and roll.
Sportsmanship and Rivalry
One source of inspiration for Pete Townshend, singer and guitarist of The Who, was the Rolling Stones' Keith Richards. Townshend admired the way Richards played the guitar and adopted a similar style, which became his trademark windmill moves. In return, Richards recognized Townshend's talent, publicly acknowledging his excellence in music. However, Richards also had his own opinion, stating that The Who were "crazy," which is an interesting perspective on the band's unique and sometimes unconventional approach to music and behavior.
The relationship was not just about admiration and friendship. It also included a camaraderie that inspired creative growth. For example, when The Rolling Stones' Mick Jagger and Keith Richards were arrested on drug charges, The Who supported them musically. The Who even performed a few Rolling Stones songs at a benefit concert, further cementing their bond. This support demonstrates how artists could come together despite differences and personal struggles.
"The Rolling Stones Rock and Roll Circus" and Final Interviews
A significant event that brought The Rolling Stones and The Who together was the controversial 'Rock and Roll Circus' filmed on December 10, 1968. During this event, The Who performed "A Quick One While He's Away," which was their first attempt at a mini rock opera that would later lead to 'Tommy.' The performance was so impressive that Mick Jagger allegedly believed The Who were better as a trio. Yet, this is an urban legend, as the truth is that the Stones had just released 'Beggar's Banquet' and 'Let It Bleed,' showcasing their incredible new material.
Despite this, the film was shelved until the late 1990s when it was finally released as 'The Rolling Stones Rock and Roll Circus.' This film included an extensive, newly filmed, and complimentary interview with Pete Townshend, providing fans with deeper insights into the complex relationship between the two bands. The interview not only peeled back the layers of their professional camaraderie but also allowed viewers to understand the personal and professional dynamics between the two iconic figures of rock music.
The enduring legacy of these two bands and their relationship is a fascinating study in music history. From sharing the stage and supporting each other in times of need to engaging in healthy competition, the interactions between The Rolling Stones and The Who in the 1960s and 1970s painted a picture of a musical world that was dynamic, creative, and filled with a spirit of innovation and cooperation. The interviews and performances captured on film serve as a testament to this era in music history, showing that even in the face of competition, true friendship and respect can thrive.