Reevaluating 'Filler' Tracks in The Beatles' Discography
When discussing The Beatles’ catalog, many fans and critics alike overlook the notion of 'filler' tracks. Traditional interpretations often view these songs as merely fillers, not strong enough to stand alone. However, as time and perspectives evolve, an increasing number of these tracks are being reconsidered as essential and noteworthy additions to The Beatles’ legacy. Let's delve into why some of these tracks are among the favorites, despite initial criticism or dismissals.
What Are 'Filler' Tracks?
Originally, filler tracks in The Beatles’ discographies were intended to fill in gaps in albums or, in some cases, serve as promotional material. While generally seen as less significant, these tracks can often reveal the band's creative process and experimentation. They also provide a unique insight into the band members' individual contributions.
Examples of 'Filler' Tracks
Dig It
Dig It is one such example. Initially considered a filler song for the Let It Be project, it has since been appreciated for its quirky and experimental nature. The track promotes the audio verité spirit of the Let It Be project, adding a festive and lighthearted touch. This song's inclusion helps to complete the project despite its compositional simplicity.
Yesteryear
Yesteryear, often cited as one of the least impressive tracks on Revolver, is now recognized as a testimony to The Beatles’ ingenuity. Its experimental harmonies and unusual song structure make it a standout among the band's works. Additionally, it holds a special place in The Beatles’ history as it was recorded with all members contributing.
It's All Too Much and All Together Now
It's All Too Much and All Together Now were included in the Yellow Submarine Soundtrack. Initially recorded in 1967, these songs were left unreleased until 1969 when the band needed additional material for the soundtrack. Later, they became crucial pieces in the project, enhancing its overall narrative and musicality.
One After 909
One After 909 is another overlooked gem. Written by John Lennon as a teenager, this song was originally left unreleased in 1963. However, when The Beatles were gearing up to record Get Back, Lennon and the band revisited it. Despite being initially deemed a filler, this song ultimately contributed to the album's roster of hits.
George Harrison: A Master of 'Filler' Tracks
George Harrison has a penchant for using 'filler' tracks for his solo albums. For instance, Circles was a demo recorded for his 1982 Gone Troppo LP. Similarly, Not Guilty, an electric version recorded for The White Album, was later included in George Harrison's 1979 self-titled album. In these instances, Harrison demonstrates the versatility and value of these tracks, re-recording them to fit his own artistic vision.
Conclusion
While it might seem counterintuitive, many of the once-overlooked 'filler' tracks in The Beatles' discographies have grown to be cherished by fans. These songs not only reflect the band's experimentation and creativity but also highlight the individual contributions of each member. As our understanding of music and art continues to evolve, these tracks undoubtedly warrant a different level of appreciation, underscoring the rich and multifaceted legacy of The Beatles.