Nasal Singing: Is It Considered Bad?
Singing with a nasal voice isn't inherently bad but can be considered less desirable depending on the style of music and the context. Let's explore the nuances of nasal singing and when it can be beneficial or problematic.
Style and Genre
In some genres, like pop or certain types of folk music, a nasal quality might be more acceptable or even preferred. However, in classical singing or opera, a more resonant and open tone is usually favored. The choice largely depends on the specific style and the expectations of the genre.
Vocal Health
A consistently nasal sound can indicate improper vocal technique or tension in the throat and nasal passages. This can lead to strain or fatigue over time. Properly diagnosing and correcting these issues can often restore a more balanced and healthy vocal quality.
Personal Preference
Some listeners may find a nasal tone charming or distinctive, while others might perceive it as less pleasant. Ultimately, it comes down to personal taste. However, understanding the impact of nasal singing on different listeners can help singers tailor their performances.
Training and Coaching
Many vocal coaches can help singers adjust their technique to achieve a more balanced sound. Working with a coach can provide valuable feedback and guidance, ensuring that any nasal qualities are minimized or controlled effectively.
Historical Perspectives
The great Maria Callas once stated, 'When you sing French, you must sing it through the nose.' For other languages, developing an open head tone is often preferred, although some modern singers blend a nasal quality with chest resonance ('voce di petto').
Understanding Nasal Singing
When you have a nasal voice, it can sometimes work out with practice. However, it's important to understand why this happens. Nasality damps the ability to resonate the tone, meaning that instead of achieving a balanced sound with harmonics, you might only produce a screech. Consider the analogy of stretching the opening of a balloon as it deflates, noting the lack of coordinated tone compared to a consistent, resonant sound.
Teachers often speak of nasal resonance and nasality, but it's challenging to separate the two without clear definitions. Nasal resonance can occur when the soft palate (velum) is raised, allowing air to pass straight out the nostrils. Singing with an open velum is crucial, as it helps maintain proper airflow and resonance, preventing a purely nasal tone.
The Limits of Nasal Singing
While a nasal voice can sometimes work for specific parts of a song, it is generally not recommended as a main sound. The nasal quality tends to wear out or become irritating if used throughout an entire song. Instead, it should be used in moderation and supported by a more full and rich sonic backing. The volume and impact of nasal singing should vary, contributing to a dynamic and engaging performance.