Infinite Grooves in Vinyl: The Art of Looping in Music
The concept of an album tracking that loops infinitely may seem like a mythical idea, but it has been used by some prominent artists as a creative tool to explore new dimensions in music. This article delves into the fascinating examples of albums designed with looping tracks, from the avant-garde The Residents to the pioneering works of The Beatles.
Notable Albums with Infinite Grooves
The Beatles: Revolver
One of the most famous examples of a looping track in a vinyl album is the final song on The Beatles' Revolver.
Lou Reed: Sohn External Album
Lou Reed's Sohn External Album is renowned for its innovative sound and the final track, which can loop indefinitely, making it a classic example of a vinyl loop.
The Residents: Whatever
The Residents' Whatever album also includes a final track that can loop, adding a layer of complexity and intrigue to the listening experience.
The Flaming Lips: Y_datos_Warm Hairs
The Flaming Lips' Y_datos_ Warm Hairs is a unique example of a looping track. The album is designed to be played on multiple CD players simultaneously, creating a potentially infinite listening experience.
John Cage: A 4'33"
Although A 4'33", a composition by John Cage, is not a traditional album, it can be loosely considered a conceptual looping track as it is performed over an extended period of 4 minutes and 33 seconds. The idea of looping is substituted with silent encounters, reflecting on the nature of music and perception.
Other Examples of Infinite Tracks
Besides these notable albums, there are other interesting examples of looping tracks in vinyl albums. One such example is Black Sabbath's Master of Reality, specifically the track following "Children of the Grave" at the end of side one. This track consists of synth wind and distorted strings with a female voice that repeats in hushed tones, playing indefinitely until the stylus reaches the deadwax. This track is not present on all reissues of the album, adding to its unique character.
Martha the Muffin's 'Saigon'
Another intriguing example is Martha the Muffin's single 'Saigon' from 1980. The b-side of this single features a double-grooved track, allowing the listener to choose between the instrumental 'Copacabana' and its backwards version through pure chance.
These tracks not only showcase the technical depth of vinyl records but also highlight the artists' creativity in pushing boundaries. Understanding these concepts can provide valuable insights into the history and evolution of music production and listening experiences.
Conclusion
The use of infinite grooves in vinyl records is a testament to the ingenuity and artistry of musicians and record producers. These unique tracks not only challenge listeners to pay attention to detail but also encourage a deeper appreciation for the medium of vinyl music.
If you have any other specific albums in mind or need further details, feel free to reach out. The world of infinite grooves is vast and fascinating, and there are many more examples waiting to be discovered.