Has Modern Day Filmmaking Become More Visually Conservative Compared to the Late 1960s to 1980s?
Modern day filmmaking has indeed seen significant changes in its visual language, but the question of whether these changes are more or less conservative than those of the late 1960s to 1980s remains a topic of debate. While visual styles have evolved, it is not fair to generalize the entirety of an era based on the works of a large group.
Visual Staging and Editing in Modern Films
One of the most noticeable changes in modern filmmaking is the strong influence from television. This has led to a trend towards more static camera work, a limited color palette, and a reliance on traditional two-shot back-and-forth conversations for dialogue. These techniques are particularly common among TV-trained filmmakers. On the other hand, for filmmakers who came of age during the era of music videos, the editing style tends to be faster with individual shots being shorter and edited together in a montаж style. However, it is important to note that not all filmmakers follow these trends; innovators like Ridley Scott and David Fincher demonstrate that visual style can still be highly innovative even when working within these constraints.
The Role of Digital Technology
Digital technology, particularly Computer Generated Imagery (CGI), has played a significant role in the evolution of modern filmmaking. While CGI has introduced a level of visual sameness across many films, it has also opened up new creative possibilities. The use of CGI allows for the camera to move through any path in three-dimensional space. Combined with digital editing techniques, this technology has made possible incredible lengthy tracking shots that enhance the storytelling experience. Filmmakers like Martin Scorsese and Christopher Nolan have embraced these new visual possibilities, adapting to the tools and techniques made available to them.
Comparison with Earlier Filmmaking
When comparing modern filmmaking to that of the late 1960s to 1980s, it is essential to consider that while the visual styles and techniques may differ, both eras saw periods of visual experimentation and innovation. In the 1960s and 1970s, films like 2001: A Space Odyssey and AQuiet Place demonstrated groundbreaking visual techniques. Similarly, in the 1980s, films such as Saturday Night Fever and Blade Runner pushed the boundaries of what was possible in terms of visual storytelling.
It is crucial to avoid generalizing the entirety of an era based on the works of a majority or minority. While the predominant trends in modern filmmaking might favor static camera shots and montages, there are still many filmmakers who continue to push the boundaries of visual storytelling. For example, films like The Grand Budapest Hotel and Hereditary showcase sophisticated and visually innovative techniques that challenge traditional norms.
Conclusion
Modern day filmmaking is not necessarily more or less conservative than the late 1960s to 1980s. Changes in technology have undoubtedly influenced the visual styles, but the most talented filmmakers continue to innovate, regardless of the era. The vast majority of filmmakers may rely on certain techniques for practical reasons, but there is still a significant proportion who push the boundaries of visual storytelling.