Exploring Paul Gilbert's Tuning Techniques

Paul Gilbert, one of the most respected and innovative guitarists of our time, is known for his virtuosic playing and experimentation with different tunings. While he primarily uses standard tuning, he occasionally ventures into other tunings to achieve unique sounds and effects. This article will delve into the various tunings Gilbert utilizes and explore his approach to different genres and songs.

Standard Tuning: The Norm

For most of his work, Paul Gilbert sticks to the standard tuning E A D G B e. This is his default setting, enabling him to play a wide range of styles with ease. However, as a highly skilled and versatile guitarist, he is not afraid to break the norms and experiment with alternative tunings.

Drop D Tuning and Variations

Drop D tuning (D A D G B e) is a popular alternative that Gilbert occasionally uses, particularly for specific songs or projects. This tuning allows for a deeper, richer sound and can add a unique twist to his music. For instance, Gilbert's performance of 'Get Out of My Yard' showcases the use of drop tuning and even octave tuning on his double neck guitar, a feature that helps him reach the high notes effortlessly.

Mr. Big and Other Projects

When playing with bands like Mr. Big, Gilbert tends to use natural tuning (E A D G B e) for the vast majority of their songs. However, some tracks might feature drop D or even unconventional tunings. For example, in songs like 'Time of Your Life,' the use of drop tuning enhances the song's heavy and powerful sound. Such tunings are carefully chosen to match the vibe and tone of the song.

Adaptive Tuning for Vocal Character

In his solo work, Gilbert often tailors the tuning to complement his vocals and enhance the overall character of his music. By down-tuning his guitar, he can better match the tone of his voice, creating a more cohesive and harmonious sound. This adaptive technique is particularly evident in his live performances and recordings, where he constantly adjusts his guitar setup to suit the specific needs of each song.

Backstage Insights: Paul Gilbert's Tuning Philosophy

Back in the 1980s, when Paul Gilbert was just hitting his stride, he was already a local legend. I remember attending a small club performance where he played alongside the legendary Billy Sheehan as his bass player. The night was a revelation as Gilbert showcased his exceptional abilities on the guitar. During a chance conversation backstage, we discussed his approach and he mentioned that while he is primarily a standard tuning player, he is not above experimenting with altered tunings.

In a video, you can witness Gilbert's use of drop D tuning at 9:50 in the 'Paul Gilbert - Get Out of My Yard Segment: 7 HQ Widescreen.' This moment highlights his ability to adapt and create a distinctive sound using different tunings.

Conclusion

Paul Gilbert's journey as a guitarist is a testament to the importance of versatility and experimentation in music. Whether he sticks to the standard tuning or delves into alternate tunings, he consistently pushes the boundaries of what a guitar can do. His adaptability, showcased through his work with Mr. Big and his solo projects, makes him a standout artist in the world of guitar playing.