Creating Sad Trap and Trapsoul Beats: Scales, Chord Progressions, and Techniques

When crafting sad trap or trapsoul beats, the choice of scale plays a crucial role in evoking the right emotional response. This article delves into the scales and chord progressions that can be used to create this melancholic sound. Additionally, we'll explore practical tips and techniques to help you produce hits in this genre.

1. Choosing the Right Scales

Here are some scales that are commonly used in creating sad trap and trapsoul beats:

1.1 Minor Scale (Aeolian Mode)

The natural minor scale, known as the Aeolian mode, is a staple in this genre. The A minor scale, for example, can be written as: A B C D E F G. This scale provides a foundation for evoking a melancholic and emotional feel.

1.2 Harmonic Minor Scale

This scale introduces a raised seventh note, which adds tension and an exotic feel. The A harmonic minor scale can be represented as: A B C D E F G#. This scale is particularly useful for adding emotional depth and complexity to your beats.

1.3 Melodic Minor Scale

Similar to the harmonic minor, the melodic minor scale also has a raised sixth and seventh when ascending, but reverts to the natural minor when descending. The A melodic minor scale ascending can be written as: A B C D E F# G#.

1.4 Dorian Mode

This mode has a minor feel with a raised sixth note, which can create a more hopeful yet still sad vibe. The A Dorian mode scale can be written as: A B C D E F G.

1.5 Phrygian Mode

The Phrygian mode typically has a dark and mysterious sound, which can contribute to a sad atmosphere. The A Phrygian mode can be written as: A Bb C D E F G.

2. Chord Progressions and Techniques

Chord progressions play a vital role in shaping the emotional landscape of your beats. Here are some chord progressions that work well for sad trap and trapsoul:

2.1 RB Chord Progressions

The linked song starts with an Eb minor 9 chord. The upper structure of this chord, which is arpeggiated, produces the notes F, Db, Bb, F, Db, Bb, F, Db. Then it transitions to an F minor 7 chord, with the upper structure being Ab Major. These upper structure chords are arpeggiated as well, producing the notes Eb, C, Ab, Eb, C, Ab. Finally, a dominant V chord (Bb7) is used, with only two notes: D, Bb.

These chords fit the typical RB progression structure of i-IV-V. For example, for the Eb chord, you can use an Eb natural minor scale or Aeolian mode. For the F minor 7, use a Gb major scale. The Bb7 dominant chord is transient, but if you choose to use the Gb major scale, it might sound somewhat jazzy due to the quick transition.

3. Key Tips for Producing Sad Trap and Trapsoul Beats

3.1 Chord Selection

When selecting chords, stick to minor chords and seventh chords for a melancholic flavor. Examples include Am, Dm, Em, Cmaj7, Bm7b5.

3.2 Melody Structure

Melodies should be simple and repetitive, emphasizing the minor notes. This repetition helps in building a repetitive and emotional texture to the beat.

3.3 Tempo

Slower tempos around 60-80 BPM are ideal for enhancing the emotional impact. Slower tempos help in creating a more subdued and introspective atmosphere, which is typically characteristic of sad trap and trapsoul.

In conclusion, combining the right scales, chord progressions, and techniques can significantly contribute to the emotional depth of your sad trap and trapsoul beats. Experiment with these scales and modes, and you'll be well on your way to crafting emotive and impactful beats.