Applicability of Classical Singing Technique in Contemporary Genres

Is classical singing technique applicable to any contemporary genres other than those that have genre-specific vocal techniques like rasp in rock? This question has sparked debate among vocalists, music educators, and audiophiles, with varying opinions on its relevance and effectiveness. While some argue that classical training is universally beneficial, others believe it can be detrimental to certain vocal styles. Let's delve into these perspectives and explore under what circumstances classical singing technique can be advantageous for contemporary performers.

Diversifying Perspectives

The dynamics of applying classical singing technique across various genres are complex and multifaceted. Some vocalists and educators argue that classical technique can be a significant asset in genres that overlap stylistically. For instance, it is widely recognized that classical training can greatly enhance the vocalism required in contemporary musical theater. Many noted country singers also benefit from the vocal control and range that classical singing techniques provide. This is particularly evident in the work of artistes like Taylor Swift and Miranda Lambert, who showcase a level of vocal skill that might not have been achievable without a classical foundation.

Limitations and Adaptations

However, it is crucial to acknowledge that not all genres benefit equally from classical singing technique. The unique vocal qualities that define genres such as punk, blues, or grunge are often intentionally cultivated through specific training methods. For example, the raspiness characteristic of artists like Tom Waits, Louis Armstrong, and Rod Stewart is a deliberate choice that aligns with the expressive nature of their music. Even within these genres, success is often attributed to vocal microtraumas that result in a unique, protective raspiness. This vocal quality is intentionally maintained and is often the very essence of their musical style. Attempting to retrain such vocal characteristics using classical techniques would likely be counterproductive and strip the artist of their signature sound.

Personal Experience and Adaptation

My own experiences in the industry further reinforce the idea that one-size-fits-all approaches to vocal training are inflexible and impractical. I find that classical techniques do not always align with the stylistic requirements of diverse genres. Singing pop songs in an operatic style, for instance, can result in an awkward and unsuitable performance. This is true not only for popular entertainment but also for more experimental genres. Coaches and educators must be cautious when applying classical techniques to artists like Bob Dylan or Billie Eilish, as doing so could potentially overshadow their unique and authentic vocal styles.

Philosophical Considerations

Ultimately, the question of whether classical singing technique is applicable to contemporary genres hinges on the goal of the artist and the specific musical style. For some, the classical bel canto technique acts as a fundamental foundation, enriching the technique and control required in any genre of music. For others, particularly in genres where a distinctive, possibly unpolished vocal quality is valued, classical training might hinder rather than enhance their performance. It is essential to consider the genre-specific vocal techniques and the unique vocal qualities that define each artist's style.

Conclusion

In summary, the applicability of classical singing technique in contemporary genres is highly situational. While classical training can be invaluable for enhancing vocal control and range in genres like musical theater and country, it may not be appropriate for genres that value raw, unrefined vocal qualities. As vocalists and educators, we must be flexible and adapt our approaches to suit the needs of the artist and the specific genre they wish to pursue.